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COURTNEY BARON Plays include: Consumption, commissioned by and produced at the Guthrie Theatre, Minneapolis; Not Our Last Hurrah, produced as part of the Australia Project at the Kraine Theatre, NYC; These Three Here, produced at Actors Theatre of Louisville and as part of the 24-Hour Plays, NYC; Earlstreetman as part of the Larson Project at New York Theatre Workshop and at the 2003 O'Neill Playwrights Conference; John Brown's Body as part of Keen Americana at the Jose Quintero Theatre; Black Fish as part of the Backstory Project at the Humana Festival of New American Plays at the Actors Theatre of Louisville in 2000; The Blue Room, which was awarded a 1999 Heideman Award and nominated for the American Theatre Critics' Association's Osborn Award, premiered at Humana Festival in 1999; In The Widow's Garden for the 2000 ChekhovNOW Festival, NYC; Dream of Heaven and Hell for Reverie Productions, NYC; Dear Anton for the 1999 Chekhov NOW Festival, NYC; The Good Night, a finalist for the 1998 Princess Grace Award, was workshopped at the Theatre for the New City and as part of the First Light Festival at the Ensemble Studio Theatre, NYC; Love As A Science in the Seattle Fringe Festival and Clip for the FronteraFest in Austin, Texas. Courtney's play Preserve won the 1999 Women at the Door Award and received a workshop at the Famous Door Theatre in Chicago, a workshop at Rattlestick Productions and was given a reading at Manhattan Theatre Club. Her play Here I Lie received a reading at the Atlantic Theater Company. Courtney holds an MFA from Columbia University and held an International Summer Residency at the Royal Court Theatre in London. She is currently under her second commission with the Guthrie Theater, Minneapolis and is developing a new television show with fox21, the alternative television production studio, in Los Angeles. She is a member of the Primary Stages New American Writers Group.
Samuel French Titles by Courtney Baron
- Shining The Light: How One Teacher Brought The Ghostlight Project To His High School
- A Musical Classic Gets a Bold New Staging in San Antonio
- Beautiful: The Multi-Generational Draw of HEATHERS THE MUSICAL
- Transgender Characters, in Their Own Words
- True and False: Harold Pinter’s HOMECOMING in a Post-Factual World
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