Winner of the 2004 New York Drama Critics Circle and the Outer Critics Circle Awards.
The time is 1905, the place New York City, where Esther, a black seamstress, lives in a boarding house for women and sews intimate apparel for clients who range from wealthy white patrons to prostitutes. Her skills and discretion are much in demand, and she has managed to stuff a goodly sum of money into her quilt over the years. One by one, the other denizens of the boarding house marry and move away, but Esther remains, lonely and longing for a husband and a future. Her plan is to find the right man and use the money she's saved to open a beauty parlor where black women will be treated as royally as the white women she sews for. By way of a mutual acquaintance, she begins to receive beautiful letters from a lonesome Caribbean man named George who is working on the Panama Canal. Being illiterate, Esther has one of her patrons respond to the letters, and over time the correspondence becomes increasingly intimate until George persuades her that they should marry, sight unseen. Meanwhile, Esther's heart seems to lie with the Hasidic shopkeeper from whom she buys cloth, and his heart with her, but the impossibility of the match is obvious to them both, and Esther consents to marry George. When George arrives in New York, however, he turns out not to be the man his letters painted him to be, and he absconds with Esther's savings, frittering it away on whores and liquor. Deeply wounded by the betrayal, but somehow unbroken, Esther returns to the boarding house determined to use her gifted hands and her sewing machine to refashion her dreams and make them anew from the whole cloth of her life's experiences.
Winner of the 2004 New York Drama Critics Circle and the Outer Critics Circle Awards. "…a deeply moving portrait of Esther, a middle-aged African-American woman…Nottage's play has a delicacy and eloquence that seem absolutely right for the time she is depicting…New York has no richer play…" —NY Daily News. "…thoughtful, affecting…The play offers poignant commentary on an era when the cut and color of one's dress—and of course, skin—determined whom one could and could not marry, sleep with, even talk to in public." —Variety. "Ms. Nottage has done so much good historical research…I want Ms. Nottage to keep working with this form; we see it so little, and we need it so much." —NY Times. "…a near-perfect balance between content and execution…" —Associated Press.