Full Length Play
Time Period - Contemporary, Present Day
Settings Of Play - The living room and front porch of the Swensen family, in a Minneapolis suburb.
FEATURES / CONTAINS
Interior Set, Unit Set/Multiple Settings
Contemporary Costumes / Street Clothes
Appropriate for all audiences
High School/Secondary, College Theatre / Student, Community Theatre, Dinner Theatre, Professional Theatre, Reader's Theatre, Shoestring Budget, Large Stage, Blackbox / Second Stage /Fringe Groups
WINNER! - McLaren Memorial Comedy Playwriting Competition
WINNER! - Best Stage Play, World Series of Screenwriting Competition
WINNER! - TRU New Voices Play Festival
WINNER! - Northern Writes Playwright Festival
In this comedy with a heart, Mom has been dead for 11 months and shows up at her husband’s birthday party as a ghost with a mission. Like Clarence in “It’s A Wonderful Life,” she has to accomplish a task to earn her wings. Only what the task actually is, is a mystery. There are so many things to fix. The problem is complicated by the fact that the only person who can hear or see Mom is her daughter who has been ordered by the court to spend Dad’s birthday with him as part of her Anger Management Program. One by one the family's secrets are peeled away revealing a shocking truth that surprises even our ghost.
“If you love the comedy, ‘It’s a Wonderful Life,’ this modern variant by playwright Phil Olson is just for you!” - Not Born Yesterday
“This is a MUST SEE to make your holiday complete!” - NoHo Arts
“Time rarely moves so fast on stage as in ‘Mom’s Gift.’ The rapid-fire succession of uproarious one-liners and poignant family revelations brings the audience to the completely unexpected surprise ending in what seems like a flash!” - Norwegian American Weekly
“A rare treat! If it is indeed holiday entertainment you are looking for, Olson’s play will fill those emotional gaps and turn a routine holiday into an unforgettable journey towards forgiveness, love and self-transformation. It is a unique theatrical experience!” - The Tolucan Patch
“A humorously poignant and thought-provoking story... Touching and hysterical in turns...Heartwarming and compelling...This story is a heartfelt cross between family dynamics, the loss of a loved one, and the power of love.” - Tolucan Times
“An audience pleaser!...There is a surprise ending that will not be divulged here, but suffice it to say, the result is an always engaging, funny evening of love and laughter.” - Stage Happenings
“This new play by playwright Phil Olson, creator of the ‘Don’t Hug Me’ series of comedies, composes a play that is charming, bittersweet (more sweet than bitter), and most of all, is rather comical in terms of one liners and plot situations...Captivating, witty, and most of all, tells a story that speaks about a bonding between mother and daughter, even though this bonding is far from the ordinary.” - Accessibly Live
“A crowd pleaser!...’Mom’s Gift’ demonstrates playwright Olson’s gift at creating the kind of old-fashioned feel-good comedy that hardly gets written anymore, one that not only provides ample laughs but more than a few tears when things take a dramatic turn in its surprise-twisty last half-hour....The popularity of Olson’s Don’t Hug Me series and the upcoming Samuel French publication of his latest could easily make “Mom’s Gift” a community and dinner theater favorite. That it is family-friendly fare is icing on the cake!” - Stage Scene LA
“Wonderful!...There were numerous laugh-out-loud moments. Even better, however, were the twists in the second act. The ultimate resolution of the story was quite touching, and even brought a little dampness to the eyes. It demonstrated (yet again) that a well-written story is the heart of great theatre. If you can get tickets, it is well worth seeing!” - Observations Along the Road
Mom's Gift was first produced at the Lonny Chapman Group Repertory Theatre in Los Angeles, California, in December, 2013. The artistic directors were Larry Eisenberg and Chris Winfield, it was directed by Sherry Netherland, the assistant director and sound designer was Steve Shaw, the producer was Laura Coker, the set design and construction was by Chris Winfield, the stage managers were Britt Chichester, Mindy B. Schiller and Jennifer Levinson, the lighting design was by Sabrina Beattie, the costume design was by Lynda Pyka, the publicist was Nora Feldman, the marketing was by Ben Goldberg, the program was by Drina Durazo and the cover art was by Doug Haverty.