Van Johnson's dazzling smile, shock of red hair, and suntanned freckled cheeks made him a movie-star icon. Among teenaged girls in the 1940s he was popularized as the bobbysoxer's heartthrob. He won the nation's heart, too, by appearing in a series of blockbuster war films--"A Guy Named Joe," "Thirty Seconds Over Tokyo," "Weekend at the Waldorf," and "Battleground." Perennially a leading man opposite June Allyson, Esther Williams, Judy Garland, and Janet Leigh, he rose to fame radiating the sunshine image Metro-Goldwyn-Mayer chose for him, that of an affable, wholesome boy-next-door. Legions of adoring moviegoers were captivated by this idealized persona that generated huge box-office profits for the studio. However, Johnson's off-screen life was not so sunny. His mother had rejected him in childhood, and he lived his adult life dealing with sexual ambivalence. A marriage was arranged with the ex-wife of his best friend, the actor Keenan Wynn. During the waning years of Hollywood's Golden Age she and Johnson lived amid the glow of Hollywood's A-crowd. Yet their private life was charged with tension and conflict. Although morose and reclusive by nature, Johnson maintained a happy-go-lucky facade even among co-workers, who knew him as a congenial, dedicated professional. Once free of the golden-boy stereotype, he became a respected actor assigned stellar roles in such acclaimed films as "State of the Union," "Command Decision," "The Last Time I Saw Paris," and "The Caine Mutiny." With the demise of the big studios, Johnson returned to the stage, where he had begun his career as a song-and-dance man. After this he appeared frequently in television shows, performed in nightclubs, and became the legendary darling of older audiences on the dinner playhouse circuit. Johnson (1916 - 2008) spent his post-Hollywood years living in solitude in New York City. This solid, thoroughly researched biography traces the career and influence of a favorite star and narrates a fascinating, sometimes troubled life story. Ronald L. Davis is the author of "Hollywood Beauty: Linda Darnell and the American Dream," "John Ford: Hollywood's Old Master," and "Duke: The Life and Image of John Wayne." He is a professor of history at Southern Methodist University and the general editor of University Press of Mississippi's Hollywood Legends Series.