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Picture of Tale of Two Cities, A, the Musical (Broadway version)

Tale of Two Cities, A, the Musical (Broadway version)

Jill Santoriello

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Full Length Musical, Drama

7m, 3f, 1girl(s)

ISBN: 9780573696893

Book, Music, and Lyrics by Jill Santoriello
"A Broadway must see! Everything is here to stir the soul—young love, purity, vengeance, villainy, valor—all played out against that historic revolution." —The Connecticut Post
Two men in love with the same woman. Two cities swept up in revolution. One last chance for a man to redeem his wasted life and change the world. Based on Charles Dickens' masterpiece, A Tale of Two Cities is a musical that focuses on the love triangle between young beauty Lucie Manette, French aristocrat Charles Darnay and drunken English cynic Sydney Carton - all caught in the clutches of the bloody French Revolution.

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Description | Characters | Rental Materials | Media | Author | Now Playing | Reviews
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: Acting Edition
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: Perusal Score Download
$14.95
: Large Print
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Licensing fees and rental materials quoted upon application.


Description

Full Length Musical

Drama

Adaptations (Literature), Period

More than 120 minutes (2 hours)

Time Period - 18th Century

Settings Of Play - The play is set in multiple locations and there are no fixed set requirements. The show can be done effectively with very elaborate, literal settings or with more suggestive, spare design.

FEATURES / CONTAINS

Unit Set/Multiple Settings, Bare Stage/Simple Set, Opportunity for Spectacle

Period Costumes

CAUTIONS

Gun Shots, Mild Adult Themes

THEMES

Betrayal, Christianity, Death, Friendship, Love, Marriage, Parenting/Family, Politics, Religion, War

TARGET AUDIENCE

Appropriate for all audiences, Adult, Teen (Age 14 - 18)

PERFORMANCE GROUP

High School/Secondary, College Theatre / Student, Community Theatre, Dinner Theatre, Professional Theatre, Outdoor, Large Stage, Church / Religious Groups

RECOGNITION / AWARDS

From Broadway

Nominated! 2009 Outer Critics Circle Awards, Outstanding New Broadway Musical
Two men in love with the same woman. Two cities swept up in revolution. One last chance for a man to redeem his wasted life and change the world. Based on Charles Dickens' masterpiece, A Tale of Two Cities is a musical that focuses on the love triangle between young beauty Lucie Manette, French aristocrat Charles Darnay and drunken English cynic Sydney Carton - all caught in the clutches of the bloody French Revolution. Fresh off its Broadway run, A Tale of Two Cities is the perfect addition to any theatre's season! Appropriate for all ages and audiences, this classic story of love, revolution, and redemption is what the Associated Press called, "the return to the era of big blockbusters such as Les Miserables, Phantom, and Miss Saigon.

After 17 years of unjust and secret imprisonment in France, Dr. Alexandre Manette is released from the infamous Bastille and given over to the care of his former servant, Ernest Defarge, and his wife, Madame Defarge. The Defarges send for Manette's daughter, Lucie, to retrieve him. No one knows why the doctor was imprisoned many years ago; Manette has lost his memory and can offer no explanation. Meanwhile, the Defarges don't hesitate in showing Manette to others as an inspiration for the revolution they hope to incite. In Paris, Manette and Lucie are united and she promises to help him build a new life in England.

On their voyage home, Lucie and Dr. Manette are befriended by a young Frenchman, Charles Darnay. Darnay, the nephew of the despised Marquis St. Evremonde, has renounced his inheritance and is attempting to distance himself from the Marquis. Another passenger on the ship is John Barsad, a spy in the service of the Marquis. To ensure his nephew will never return to France, the Marquis gives Barsad false documents to plant in Darnay's belongings, incriminating Darnay as a spy against England. Upon their arrival in England, Darnay is arrested and brought to trial. At Darnay's trial for treason, he is rescued by the efforts of a drunken but brilliant lawyer, Sydney Carton- a lost soul, cynical and self-loathing. He falls in love with Lucie Manette, who shows him an understanding and compassion he has never known. But Lucie's heart is with the Frenchman, and although Dr. Manette has misgivings about Darnay, he gives his blessing and Darnay and Lucie are married. Soon after, they are blessed with a daughter. Carton never stops loving Lucie; he remains a close friend to them both and loves their daughter with a special tenderness.

The murder of Darnay's uncle, the Marquis, and the pleas of an old friend lure Darnay to France just as revolution begins. Upon his arrival in Paris, Darnay is arrested and charged with crimes against the people as a former aristocrat. Dr. Manette and Lucie follow Darnay to Paris and at the trial Manette speaks for his son-in-law and wins his freedom. But Madame Defarge halts the celebration, producing a letter that Manette wrote in the Bastille. The letter tells the story of Manette's imprisonment and ends with Manette's bitter curse on the Evremonde family. The crowd turns on Darnay and condemns him to death by guillotine.

Sydney Carton arrives in Paris to help Lucie and her family. Carton discovers he can gain access to Darnay through the spy John Barsad, now working in France. He also learns that Madame Defarge is not finished and plans to come after Lucie and the rest of her family. Fueled by the knowledge of this threat, Carton springs into action and makes arrangements for them to flee Paris. He then goes to the prison and tells Darnay that he has a plan to return him to his family but refuses to reveal it and begs Darnay to do exactly as he says. Darnay agrees and the story moves swiftly to its surprising and unforgettable conclusion.

"A Broadway must see! Everything is here to stir the soul—young love, purity, vengeance, villainy, valor—all played out against that historic revolution." — The Connecticut Post

"It's got a rousing score and the story's noble sacrifice, beautifully realized by Jill Santoriello, doesn't leave a dry eye in the house." — The Huffington Post

"A tremendous, magnificent, grand new musical!" — Rosalind Friedman, WMNR FM Radio

"A Tale of Two Cities is more than impressive. It shines and stirs." — Bradenton Herald

"It's impossible not to be moved." — USA Today

"It's epic, electrifying musical theatre at its grandest." — TalkEntertainment.com

A Tale of Two Cities received its world premiere at  Asolo Repertory Theatre in Sarasota, Florida, on October 26, 2007. It was directed by Michael Donald Edwards. The musical opened on Broadway at the Al Hirschfeld Theatre in New York City on September 18, 2008. It was directed by Warren Carlyle. The musical subsequently premiered abroad in Korea on August 28, 2012.


Characters

CASTING

7m, 3f, 1girl(s)

CASTING ATTRIBUTES

Color blind casting, Cross gender casting, Reduced casting (Doubling Possible), Roles for Children, Room for Extras, Strong Role for Leading Man (Star Vehicle)

CASTING NOTES

The role of Sydney Carton is a strong leading man star role. Several of the traditionally male roles could be cast with females (playing male). Suggestions for this casting are the roles of Young Man, Gabelle, and Stryver. These are all singing roles with the Young Man and Gabelle having featured solos. There are 11 Principal roles (7 men, 3 women, 1 little girl) and 9 Featured Ensemble roles. An absolute minimum of 4 men and 4 women are required for the ensemble and the preferred minimum is 6 men and 6 women to cover 3-part singing in places.

CHORUS SIZE

Medium

DR. ALEXANDRE MANETTE - French doctor unjustly imprisoned in the Bastille for 17 years; father of Lucie (Bari/tenor sings to G)
LUCIE MANETTE – Manette’s young daughter, thought orphaned as a child; loved by Darnay and Carton (Soprano sings to Bb)
MR. JARVIS LORRY - English banker who adopts the Manettes as a surrogate family (non-singing)
MISS PROSS - Lucie Manette’s no-nonsense English nanny and friend (singing optional)
JACQUES #1 AND 2 / ENSEMBLE - 2 French peasants working toward revolution
GASPARD / ENSEMBLE - French peasant whose child is run down by the Marquis St. Evremonde (Baritone)
LITTLE GASPARD / ENSEMBLE - Gaspard’s little boy, killed by the carriage of the Marquis
MADAME THERESE DEFARGE – patient wife of Defarge who supports his dream of revolution in France (Strong belt; must belt/mix to E)
ERNEST DEFARGE – Manette’s old servant; wine merchant and budding revolutionary (Bari-tenor sings to G / optional A)
MARQUIS ST. EVREMONDE / ENSEMBLE – predatory, immoral French aristocrat; uncle to Darnay (Baritone sings to F#)
GABELLE / ENSEMBLE - servant to the Marquis; friend to Darnay (Baritone)
CHARLES DARNAY aka EVREMONDE – good-hearted, upstanding young French aristocrat; marries Lucie (Bari-tenor sings to Ab)
JOHN BARSAD – turncoat English con-man and spy, in the pay of the Marquis (Baritone)
JERRY CRUNCHER – English odd-job man for Mr. Lorry; moonlights as a grave robber (Baritone)
SYDNEY CARTON – drunken, careless English lawyer in love with Lucie Manette (Baritone low G to G, 2 octaves)
STRYVER / ENSEMBLE – blustering senior barrister; Carton’s employer (Baritone)
ATTORNEY GENERAL / ENSEMBLE – smug showman prosecutor in cahoots with Barsad against Darnay (Bass/Baritone)
CRONIES # 1 AND #2 / ENSEMBLE - Jerry Cruncher’s shovel wielding fellow grave robbers (solo singing)
MRS. CRUNCHER / ENSEMBLE – Jerry’s prayerful, nervous spouse
LITTLE LUCIE - Charles Darnay and Lucie Manette’s little girl (solo singing)
FRENCH PRESIDENT / ENSEMBLE - presides over the Tribunal in Paris
YOUNG MAN / ENSEMBLE - early to late teens, young peasant mortally wounded by the Marquis (Tenor sings to A)
SEAMSTRESS / ENSEMBLE – timid, young woman unjustly condemned to die on the guillotine (Lyric soprano sings to D)
TURNKEY / ENSEMBLE - guard in the Parisian prison of La Force where Darnay is kept

In addition to the Featured Ensemble roles listed above, the following smaller roles (some non-speaking) should also be cast from the Ensemble: BAILIFF, JUDGE, SOLDIER, YOUNG WOMAN, MARQUIS’ BROTHER, MARQUISE DE GARON, CHILD, NUMBER KEEPER. The actor playing LITTLE GASPARD can also play the CHILD.
Rental Materials

SIZE OF ORCHESTRA

Large

MUSICAL STYLE

Classic Broadway, Operetta

VOCAL DEMANDS

Moderate

Piano Conductor
Bass
Bb Clarinet
Bb Trumpet I
Bb Trumpet II
Cello
Contrabassoon
Flute
Horn I
Horn II
Keyboard II
Oboe
Percussion I
Percussion II
Trombone
Viola
Violin I
Violin II
30 Chorus Books

Full Score available upon request ($150.00 per month additional rental fee)

Media

Song Samples

The Way It Ought to Be

You'll Never Be Alone

No Honest Way

I Can't Recall

Resurrection Man

Out of Sight Out of Mind

Little One

Until Tomorrow

The Tale

Without Word

Let Her Be A Child

Author
Jill Santoriello

Jill Santoriello

Jill Santoriello is the award-winning author of the 2008 Broadway musical A Tale of Two Cities, which received several Drama Desk and Outer Critics Circle Award nominations including Outstanding New Musical. The sold-out 2012 Korean production of Tale received 9 Korean Musical Award nominations including one for Best Foreign Musical. Other stage productions of Tale are scheduled for 2012 & ... view full profile

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Reviews
David Osmundsen 4/18/2013 10:51 AM
Charles Dickens’ epic tale of love and war in revolutionary France features an intricate, complex plot featuring numerous characters and subplots. Composer and librettist Jill Santoriello does an admirable job of streamlining the multiple strands of plot together into a cohesive whole that is easy to follow and accessible to a modern audience. But in spite of a skillful adaptation, the musical plays like an Honors English adaptation project—academic, but soulless. Additionally, in the process of streamlining the plot, Santoriello sacrificed the chance for character development, rendering most of this colorful cast of characters wooden and of a type. The only characters to gain additional depth through musicalization is the villainous Madame Defarge and the heroic Sydney Carton, whose emotional and spiritual is a poignant focus for the musical.

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