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Picture of 4000 Miles

4000 Miles

Amy Herzog

Customer Rating: starstarstarstarstar (Rate this!)

Full Length Play, Dramatic Comedy

1m, 3f

ISBN: 9780573700378

Finalist! 2013 Pulitzer Prize for Drama
#1 Play or Musical of 2012 - Time Magazine
"A funny, moving, altogether wonderful drama. . . A heartening reminder that a keen focus on life's small moments can pay off in a big way onstage." - The New York Times
"This well-observed gem deserves to be a hit." - The New York Post

More Information Below:

Description | Characters | Rental Materials | Author | Now Playing | Reviews
$8.95
: Acting Edition
$14.95
: Large Print
$16.95
: Stage Manager

Minimum Fee: $100 per performance


Description

Full Length Play

Dramatic Comedy

90 minutes

Time Period - Contemporary

Settings Of Play - Single set - an apartment in Greenwich Village, NYC.

FEATURES / CONTAINS

No intermission

Monologues, Scene work

Interior Set

CAUTIONS

Drugs, Strong Language, Mild Adult Themes, Smoking

THEMES

Aging, Current Events, Death, Parenting/Family, Politics,

TARGET AUDIENCE

Adult, Senior, Teen (Age 14 - 18)

PERFORMANCE GROUP

College Theatre / Student, Community Theatre, Professional Theatre, Senior Theatre, Blackbox / Second Stage /Fringe Groups

RECOGNITION / AWARDS

Pulitzer, Obie, From Off-Broadway,

Finalist! 2013 Pulitzer Prize for Drama
Winner! 2012 Obie Award, Best New Play
Winner! 2012 New York Times Outstanding Playwright Award
Winner! Time Magazine's #1 Play or Musical of 2012

After suffering a major loss while he was on a cross-country bike trip, 21 year-old Leo seeks solace from his feisty 91 year-old grandmother Vera in her West Village apartment. Over the course of a single month, these unlikely roommates infuriate, bewilder, and ultimately reach each other. 4000 MILES looks at how two outsiders find their way in today's world.

"A funny, moving, altogether wonderful drama. . . A heartening reminder that a keen focus on life's small moments can pay off in a big way onstage." - The New York Times

"This well-observed gem deserves to be a hit." - The New York Post

"Herzog’s....humor, honesty and narrative subtlety make this a rarity: a family play that avoids sentimentality or sitcom shtick" - Time Magazine

"In 4000 Miles a warm-hearted new play by Amy Herzog, both love and irritability are woven into an illumination of the healing process after the loss of a loved one. The sensitive play [is] filled with small, revelatory and often humorous moments between a grandmother and her grandson." - Associated Press

"Amy Herzog's appealing new play, unfolds with the unassuming ease of conversations overheard, among people with complicated relationships." - Bloomberg

"Amy Herzog['s] fine, deeply affecting dual character study... Although 4000 Miles makes one think of a first-rate novella, it is solidly theatrical. 4000 Miles is the sort of rich, satisfying play you should take your grandmother to — especially if she's as smart and fierce as Vera." - Time Out New York

4000 Miles first opened at The Duke Theater in New York City on June 20, 2011, presented by Lincoln Center Theatre/LTC3, as a Steinberg New Works Program production, under the direction of Andre Bishop and Bernard Gersten, and Paige Evans, LCT3 Artistic Director. The director was Daniel Aukin. 4000 Miles moved to the Mitzi E. Newhouse Theater in New York City, opening on April 2, 2012, presented by Lincoln Center Theatre, under the direction of Andre Bishop and Bernard Gersten. The director was Daniel Aukin.
Characters

CASTING

1m, 3f

CASTING ATTRIBUTES

Minority casting, Strong Role for Leading Man (Star Vehicle), Strong Role for Leading Woman (Star Vehicle)

CHORUS SIZE

No Chorus

LEO JOSEPH-CONNELL – Twenty-one
VERA JOSEPH – Ninety-one
BEC – Twenty-one
AMANDA – Nineteen, Chinese-American

Rental Materials

MUSICAL STYLE

N/A (Not a musical)

VOCAL DEMANDS

N/A (Not a musical)

Author
Amy Herzog

Amy Herzog

Amy Herzog’s plays include After the Revolution (Williamstown Theater Festival; Playwrights Horizons; Lilly Award), 4000 Miles (Lincoln Center; Obie Award for the Best New American Play, Pulitzer Prize Finalist), The Great God Pan (Playwrights Horizons), and Belleville (Yale Rep; New York Theatre Workshop; Susan Smith Blackburn Prize Finalist; Drama Desk Nomination). Ms. Herzog is a recipient of ... view full profile

Other Amy Herzog titles available from Samuel French:

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Reviews
Susan Fisher 4/6/2013 8:54 PM
Kelly Hires 4/18/2013 10:56 AM
Leo, having just ridden his bike across the continental United States arrives at the apartment of his Grandmother, Vera, in New York City. He may have nearly finished his journey, but Leo still has a long way to go, especially with this lady. Though they barely know each other Vera takes Leo in as an unlikely roommate until he sorts things out. Truly adorable and heartwarming, Amy Herzog explores a multi-generational gap in this charmer of a play, ultimately arriving at the conclusion that these two really might not be that far away from each other. Both need something that the other can provide. Firecracker Vera might have some trouble admitting that she could use a little help around the house as she gets older. And Leo reveals a tragedy that occurred on his trip that has left him rattled and soul-searching as he tries to figure out his next steps, with a little help of simple wisdom from is Grandma. It’s hard to pin down what is so very likable about this 2012-Pulitzer-prize-finalist, but it may just be the simple joy of learning along with Leo and Vera that we may not be as far away from one another as it seems.
Elizabeth Birkenmeier 4/20/2013 9:45 PM
Through Herzog’s 4000 MILES is a slow burn to a surprisingly ominous conclusion: at any age, we can connect in the imminence of death.  Rather than explosive conflict between grandmother and grandson, there is an anxious and familiar buzz.  This story lives in the haunting gray of our daily worries.  Vera and her Leo—disparate in age and mindset—find each other through their mundane trials, though there is something huge and stifling in their rent-controlled Manhattan apartment.  They are both suffering in their proximity to death.  Amy Herzog finds ways to bring extreme light and flickers of out-loud laughs to these haunting anxieties.  In the end, we are left to worry about both Leo and Vera.  While we have the brief comfort of their encounter, they go presumably separate ways at the end of the play.  Though 4000 MILES is a heartwarming, and at times, subtly profound play…there is a communal ache at its conclusion.  Who has a watchful eye on Vera?  How will she continue to live alone?  Leo is set to work in the outdoors, to pursue what interests him and to most likely fall in love again (in his relationship after Bec).  But there is an itch where we might begrudge him his promising future—imagining Vera return to her empty apartment is powerfully heart wrenching.    

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