A SAMUEL FRENCH, INC. TITLE

Dog Opera

Full-Length Play, Comedy  /  2w, 5m

Constance Congdon's contermporary dramatic comedy, about the relationship between a defensively skeptical gay man and an overweight straight woman “Insinuates itself into the consciousness like a conversation in the next booth at a diner... Everything slowly comes together to form a coherent, sometimes funny and finally moving contemporary comedy.” – The New York Times

  • Cast Size
    Cast Size
    2w, 5m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • Audience
    Target Audience
    Adult

Details

Summary

Peter and Madeline have been friends since they were teenagers in Queens. They have Manhattan apartments and separate, unsatisfactory sex lives. Though more devoted than most couples, they are incompatible: He is gay. Maddie is overweight and drawn to men who treat her badly. They both use their witty exchanges to survive the challenges in their lives. Maddie's alcoholic mother, Peter's father, as well as lovers, pickups, and friends with AIDS move through their lives. A homeless teenager, a thief, and a poet who would rather be called a whore than a hustler because he doesn’t "try that hard," addresses the audience, his only confidant.

History
Dog Opera premiered Off-Broadway at Joseph Papp's Public Theatre on May 10, 1995.

PETER SZCZEPANEK - 35+, insecure about his looks, secure about his homosexuality, vulnerable, very VERY funny, good blue-collar Catholic boy raised in Queens who made the very long trip into Manhattan to have an interesting life.
MADELINE NEWELL - 35+, insecure about her looks, chubby or more, heterosexual, very VERY funny, good blue-collar Catholic girl raised in Queens who made the very long trip into Manhattan to go to NYU so she could have an interesting life.
CHARLIE SZCZEPANEK - 58 or so, about to retire from the NYPD where he's had a desk job after 20 years as a homicide detective an ten years on the beat. A widower of several years and Pete's father.
BERNICE NEWELL - early sixties, not in good health, bur irascible and matter-of-fact. Tough old broad, Madeline's mother.
JACKIE - 17, from Midwest, on the street for a year or so, a hooker who dances to taped music.
STEVEN - an anal, cheerful date of Peter's
JOE'S LOVER – 30+. speaks at Joe's memorial service
CHRIS – an old boyfriend of Peter's now quite ill
DAVID– a flirty male teacher who works with Madeline at the elementary school and pretends to be heterosexual
BRAD– a waiter at Peter's favorite bar called the Morocco
RUBY– an older transvestite who also works at the Moroccan
HANK– one-time boyfriend of Madeline's that she thought she was cured of. Would rather watch football than have sex. Jealous of Peter.
STARVOS– Greek man who lives on Mykonos and sleeps with tourists.
DALE WILLIAMSON– from Duluth, Minnesota and in her fifties, traveling with a group of Americans, single and looking for fun.
DORIS– older gay woman, forty-five or so, who is alone and goes to the girl bar to pick up someone.
SANNY– an old guy of questionable sexuality who's lived in Brooklyn all his life.
ARAPAHOE– beautiful Native American man who's been circling the earth for a long time, carrying souls of the dying and just-dead.

This play works best with an ensemble of actors playing several roles with the exception of JACKIE, MADELINE, PETER. Doubling below.

MOTHER (BERNICE) ACTOR - Benrice, Ruby, Dale, perhaps Sanny
BOYFRIEND (TIM) ACTOR - Steven, Chris, David, Hank, Tim
BOYFRIEND (STAVROS) ACTOR - Joe's Lover, Stavros, Man (Gay Street), Arapahoe
CHARLIE ACTOR - Charlie, Sanny (if not played by MOTHER ACTOR)

  • Time Period Contemporary
  • Setting New York City and environs, in the present, and briefly in Greece.
  • Duration More than 120 minutes (2 hours)
  • Cautions
    • Intense Adult Themes
    • Strong Language

Media

“A singular work created by an imagination of redeeming freedom and eccentricity.” – The New York Times

“Insinuates itself into the consciousness like a conversation in the next booth at a diner... Everything slowly comes together to form a coherent, sometimes funny and finally moving contemporary comedy... It's a singular work created by an imagination of redeeming freedom and eccentricity.” – The New York Times

“Nicely observed in every small, telling moment... The relationship between Pete and Maddy feels exactly right from the opening scene, which has the two of them not-so-subtly cruising passers-by.” – Variety

“Congdon consistently rides the wave(s) of human emotion, from the laugh-out-loud funny to the deeply dramatic... Though the play initially opened in 1995, its themes of tragedy, pathos, jealousy, and pride are as relevant today as ever.” – Jonathan Alexandratos, Once More With Geekery

Licensing & Materials

  • Minimum Fee: $120 per performance

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Authors

Constance Congdon

Constance Congdon has been called 'one of the best playwrights our country and our language has ever produced' by playwright Tony Kushner in Kushner's introduction to her collection Tales of the Lost Formicans and Other Plays. In addition to Tales of the Lost Formicans, which ...

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