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Push - Short Play, Drama


George Cameron Grant

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Short Play, Drama

1m, 1f, 3boy(s), 3girl(s), 1m or f

ISBN: 9780874403312

“PUSH, a tool for healing, is at once brazen, benevolent and beautiful. I urge schools everywhere to incorporate this important play into their educational program to address bullying, and to help teach tolerance, acceptance and understanding.” – Principal, Frank Sinatra School of the Arts, Astoria NY

More Information Below:

Description | Characters | Rental Materials | Media | Author | Now Playing | Reviews
: Acting Edition
: Large Print
: Stage Manager

Minimum Fee: $45 per performance


Short Play



40 minutes

Time Period - Present Day

Settings Of Play - Subway station/living room/dining room/playground


Bare Stage/Simple Set

Contemporary Costumes / Street Clothes


Mild Adult Themes


Appropriate for all audiences, Adult, Senior, Pre-Teen (Age 11 - 13), Teen (Age 14 - 18)


Jr High/Primary, High School/Secondary, College Theatre / Student, Community Theatre, Professional Theatre, Senior Theatre, Reader's Theatre, Shoestring Budget, Outdoor, Large Stage, Blackbox / Second Stage /Fringe Groups


From Off-Broadway

What would it take to push your child over the edge? Eve, a 16 year-old girl, has fallen asleep in the darkened, dingy corner of a deserted subway station, not far from the platform edge where Billy, her 18 year-old brother, chose to leave this world, and where she’ll soon struggle to find the reasons NOT to follow him. ONE BULLIED CHILD IS ONE TOO MANY!


"PUSH, a tool for healing, is at once brazen, benevolent and beautiful. I urge schools everywhere to incorporate this important play into their educational program to address bullying, and to help teach tolerance, acceptance and understanding.” Donna Finn, Principal, Frank Sinatra School of the Arts, Astoria NY

Check out these photos from the Coachella Valley Repertory production of Push in September 2016.

Push was first performed in July, 2010, at the Hudson Guild Theatre, as a participant and ultimate semi-finalist in NYC's Strawberry One Act Festival. Encore performances of Push were presented in the Winter Strawberry One Act Festival.



1m, 1f, 3boy(s), 3girl(s), 1m or f


Features Teens, Roles for Children, Strong Role for Leading Woman (Star Vehicle)


Plus 1 unseen female (can be doubled)

Rental Materials


N/A (Not a musical)

  • Port Arthur Little Theatre cast discusses Push

George Cameron Grant

George Cameron Grant

George Cameron Grant is the grandson of Lanarkshire-born Olympian George Guthrie Cameron. He is the internationally produced author of 14 full length plays, dozens of one acts, and countless monologues. His latest full-length, FORTUNE, inspired by the life of Miss Rose Fortune (http://www.RoseFortune.com) appeared at NYC's MITF Festival, to packed houses and standing ovations, and will be ... view full profile

Now Playing
Paul Milisch 6/13/2013 11:36 AM
George Cameron Grant has succeeded in creating a piece that teaches tolerance, the power of the language we use, and love.  While the themes PUSH addresses are the heart of the piece, its dramatic value and structure are also outstanding.  As someone who has produced and directed a touring production of the piece, I can say PUSH is a joy to stage and it is extremely effective.  During our production of PUSH, I told my students that this play had the best ending I have read in a one-act play for many years.  

The characters in are identifiable, the plot builds to a clear climax, and Mr. Grant has created a protagonist that immediately provokes empathy.  

This is both a perfect piece for the classroom, as well as production.  If you love Theater because you think it can change the world, please consider PUSH.  
Vincent Bandille 5/20/2013 10:42 AM
In a time when different kinds of programs are being implemented into schools (anti-bullying, gay-straight alliance, etc.) the one thing that can truly open peoples minds, and create discussion between students, parents, teachers, and faculty... is storytelling. George Cameron Grant had just that in mind when he sat down to write this play. George is a master storyteller, and knows the power storytelling has. Affected by the tragedy of Rutgers student Tyler Clementi having committed suicide due to bullying, George was compelled to take some kind of action. He knew if he were to write something, it could not be a stand-alone play that perhaps gets several performances and is never seen again. He knew he needed to write something that went beyond the normal theater experience (actors on a stage performing for a passive audience.) He knew it had to be interactive. This is Georges' heart. He could have appeased that desire within himself to "do something," by writing a play and leaving it at that. But he went way beyond. He wrote it and tirelessly marketed it to high schools as a tool for tolerance.

Having played the father in a production of PUSH, I have personally seen the impact it has afterwards. It truly gets the kids and adults talking about what they saw, how it relates to the reality of what they see on a daily basis, and what they can do to make it better. This is what theater was born to do. The production of PUSH I was part of remains a top experience for me as an actor.

Though strides have been made, there is still more to go in resolving the bullying issue. If PUSH could find its way into every high school everywhere, we just might be able to make a far bigger dent, and the lives of both those bullied, and the bullies themselves, could be a little better for it.
Emma Rankin-Utevsky 5/19/2013 12:48 PM
This play was extraordinary, not only as a production but as a tool for people of all ages to connect around issues of bullying, harassment, sexuality, and suicide. Preparing and performing the show was an incredible learning process because it necessitated intense discussions on the themes of the piece as well as how to simultaneously be true to the story and distance ourselves emotionally as actors from the sometimes hurtful things our characters had to say. It was also highly emotional and united our cast and crew, making memories that truly will last a lifetime. The importance of our production of PUSH was not in our accomplishments at the State Theatre Festival or even in meeting the playwright - it was in connecting with audiences, sharing a powerful message, and starting dialogues.

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