A SAMUEL FRENCH, INC. TITLE

The Man Who Came to Dinner

Full-Length Play, Comedy  /  9w, 14m

Kaufman and Hart's 1939 Broadway hit is a crowd-pleasing three-ring circus of machinations and celebrity appearances.

  • Cast Size
    Cast Size
    9w, 14m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Farce, Christmas/Holiday, Romantic Comedy
  • Audience
    Target Audience
    Appropriate for all audiences

Details

Summary

Sheridan Whiteside – critic, lecturer, wit, radio orator, intimate friend of the great and near great – having dined at the home of the Stanleys, slips on their doorstep and breaks his hip. The result is a tumultuous six weeks of confinement.

Possibility: "Christmas may be postponed this year." So runs the lead article in the Christmas 1939 issue of Time magazine. Whiteside turns the Stanley household upside down, forcing everyone in town to cater to his egotistical demands. Meanwhile, his essential secretary has given her notice after falling in love with a local reporter, and Whiteside must engage every weapon in his considerable arsenal of guile and manipulation to keep her in his employ – including blackmail, deceit, and the intervention of the fading sexpot actress Lorraine Sheldon and the elegant British wit of playwright Beverly Carlton. A three-ring circus of machinations and celebrity appearances ensues.

History

The Man Who Came to Dinner, produced by Sam H. Harris, premiered on Broadway at the Music Box Theatre on October 16, 1939. The production played 739 performances.

Some flexibility with casting numbers; can expand to incorporate more actors. Great leading parts, many supporting parts; children and cameos possible. Piano playing for one actor.

 

  • Time Period 1930s
  • Setting

    A small town in Ohio — An attractive living room.

  • Features Elaborate / High Volume Costumes, Period Costumes
  • Additional Features Physical Comedy, Play w/ Music
  • Duration More than 120 minutes (2 hours)

Media

“The basic idea [of the play was inspired]….Is there any better opening line to delineate a character and foreshadow a promisingly delectable situation than the one delivered by Sheridan Whiteside, The Man Who Came to Dinner? The worthy small-town folk fuss nervously, hoping to please the great public figure forced to convalesce in their honored midst. Whiteside, entering a wheelchair, surveys his adulating hosts and says, ‘I may vomit.’” 
The New York Times

Licensing & Materials

  • Licensing available for professional groups only. Some restrictions apply.

Scripts

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Authors

Moss Hart

Moss Hart (1904-1961) began his career as a playwright, director and producer in 1930 when, with George S. Kaufman, he wrote Once in a Lifetime. Subsequent Kaufman and Hart successes include Merrily We Roll Along, You Can't Take It With You and The Man Who Came To Dinner, amo ...

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George S. Kaufman

George S. Kaufman was born in Pittsburgh in 1889. During his early career as a reporter and drama critic , he began to write for the theatre. For 40 years, beginning in 1921 with the production of Dulcy, there was rarely a year without a Kaufman play — usually written in coll ...

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