A SAMUEL FRENCH, INC. TITLE

George Washington Slept Here

Full-Length Play, Comedy  /  8w, 9m

This gracious and funny comedy ranks with the most successful in our theater.

The story chronicles the trials and tribulations of Newton Fuller who craves—and gets—"a little place in the country to call his own." Newton and his wife, Annabell, and their daughter, Madge, are hypnotized into taking over one of those windowless, …

  • Cast Size
    Cast Size
    8w, 9m

Details

Summary
The story chronicles the trials and tribulations of Newton Fuller who craves—and gets—"a little place in the country to call his own." Newton and his wife, Annabell, and their daughter, Madge, are hypnotized into taking over one of those windowless, waterless, almost roofless houses that dot the countryside. The ensuing troubles may be summed up by a search for water, a quarrel with a neighbor who owns not only the brook but the very road that leads from the highway to the house, the attempted elopement of the daughter with a summer-theatre actor, and the usual invasion of the weekend guests, including a prodigal uncle who is assumed to be rich but turns out to be just another bankrupt. It is discovered that the neighbor really doesn't own Newton's roadway, and that Newton's wife, who began by showing disgust over her husband's idiocy in wanting to live in the country, decides that he was right all along.
  • Cautions
    • Mild Adult Themes

Media

"This gracious and funny comedy ranks with the most successful in our theater.

Licensing & Materials

  • Licensing available for professional groups only. Some restrictions apply.

Scripts

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Authors

Moss Hart

Moss Hart (1904-1961) began his career as a playwright, director and producer in 1930 when, with George S. Kaufman, he wrote Once in a Lifetime. Subsequent Kaufman and Hart successes include Merrily We Roll Along, You Can't Take It With You and The Man Who Came To Dinner, amo ...

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George S. Kaufman

George S. Kaufman was born in Pittsburgh in 1889. During his early career as a reporter and drama critic , he began to write for the theatre. For 40 years, beginning in 1921 with the production of Dulcy, there was rarely a year without a Kaufman play — usually written in coll ...

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