A SAMUEL FRENCH, INC. TITLE

The Curious Savage

Full-Length Play, Comedy  /  6w, 5m

John Patrick's bittersweet comedy, about a wealthy widow whose greedy stepchildren commit her to a sanitarium, celebrates whimsy and skewers notions of "sanity" with warmth, humor and dignity.

Licensing for Professional groups only.

  • Cast Size
    Cast Size
    6w, 5m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • Audience
    Target Audience
    Appropriate for all audiences

Details

Summary

When Ethel Savage's late husband leaves her a small fortune, she decides to make the best of it, establishing a fund to support various dreamers with whimsical aspirations. But her three greedy stepchildren – a socialite, a senator and a judge – commit her to a mental institution, hoping to "bring her to her senses." In the sanitarium, a warm and inviting home known as "The Cloisers," Ethel befriends the other "guests," a colorful crew of kind, generous and delusional souls. In time, Ethel finds happiness with them and plans to spend the rest of her life among them.

Meanwhile, the stepchildren, discovering that Ethel has hidden the family fortune, attempt to browbeat her into confessing where the money has been stashed. Unruffled, Ethel maintains her dignity and leads them on a wild goose chase. In the end, Ethel and her friends successfully thwart the stepchildren, and Ethel is declared sane; she is free to live her life as she chooses. As she goes to leave The Cloisters, Ethel looks back at her band of misfit friends, seeing them as they see themselves, in a gauzy tableau of contentment and delusion.

With warmth, humor and dignity, The Curious Savage celebrates those who are often overlooked, emphasizing kindness, affection and empathy in a world that too often rewards greed and ambition.

History
The Curious Savage premiered on Broadway at the Martin Beck Theatre on October 24, 1950. Directed by Peter Glenville, the production featured Lillian Gish, Flora Campbell, Lois Hall, Marta Linden, Hugh Reilly and Sydney Smith.
Performing Groups

THE SAVAGES

Mrs. Ethel Savage – An eccentric, wealthy widow; she wears outlandish clothes, sports royal blue hair, and carries a tattered teddy bear with her everywhere she goes. Although she is feisty and somewhat insurrectionary, she always remains poised and well mannered. Quick-witted, funny and highly intelligent, Ethel always sides with the underdog, scorning bullies, braggarts and opportunists. A delightfully spry and aware woman of indeterminate age. While her figure betrays her years, her eyes are sparkling and youthful. She wears a constant half-smile that gives the impression of amusement even in anger.

Lily – Late thirties. Four-times-married socialite. Grasping and vain. Dominant of her brothers, she is the family ringleader. Lily is tall, slender, chic and assured. The only situation to which she is unequal is her fortieth birthday.

Titus – Forties. US Senator. Intelligent but snobbish, fastidious and proud. Titus looks like a well-dressed business man of conservative tastes. He is sober, humorless and direct.

Samuel – Forties. Inept circuit court judge. Boorish and slow-witted. Samuel is short, undistinguished and somewhat lost in the penumbra of his brother’s cold authority and his sister’s brittle self-assurance.

THE STAFF

Dr. Walter Emmett – Sixties. Even-tempered and wise director of the Harbor. A compassionate, outgoing man.

Miss Willie – Mid-twenties. Nurse at the Cloisters. An efficient and attractive young woman, Willia is kind, patient and clever. Very professional, but with a slight air of mischief underneath.

THE GUESTS

Fairy May – Early twenties or late teens. Though somewhat plain and awkward physically, Fairy possesses a vivid imagination and is prone to wild tales of reckless imagination. She is creative, wide-eyed and highly dramatic (a mythomane). Rather plain, scrubbed and gawky. Her dark hair emphasizes the pallor of her skin, a contradiction to her gay and sanguine nature. Hers is a classic beauty vitiated by the severe arrangement of her hair, an unimaginative dress and steel-rimmed glasses.

Florence – Thirties. Ever the lady, Florence is elegant, poised and seriously delusional. She carries a life-sized doll and regards him as her son, John Thomas. Florence believes wholeheartedly in proper etiquette and social graces. A soft, sweet-faced woman, she is gentle and eager to please. A sweet and tremulous smile is her best and most disarming weapon.

Hannibal – Pushing forty. A retired mathematician, Hannibal is a whiz with numbers and a font of information. He has recently taken up the violin. Chubby and balding slightly. Pink, plump and cherubic.

Mrs. Paddy – In her fifties. Bellicose and (mostly) non-verbal, Mrs. Paddy is a curmudgeon who only speaks when she’s complaining. She spends most of her time silently finger-painting at her easel. A dumpy, ferocious little hen in a paint-smeared smock, she is a woman of awesome ferocity. Her close-cropped hair bristles from her head with aggressive hostility.

Jeffrey – Late twenties. A handsome and dignified young veteran, Jeffrey suffers from severe PTSD, resulting in memory loss and the mistaken belief that he has been physically scarred. Despite these challenges, he is generally affable, eager to learn, and kind. He is also an accomplished pianist.

  • Time Period 1950s
  • Setting The living room of "The Cloisters" in Massachusetts. The not-too-distant past.
  • Duration More than 120 minutes (2 hours)

Licensing & Materials

  • Licensing available for professional groups only. Some restrictions apply.

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Authors

John Patrick

John Patrick (1905 –1995) was a Pulitzer Prize-winning playwright and screenwriter. His many Broadway plays include Hell Freezes Over (1935), The Willow and I (1942), The Hasty Heart (1945; adapted for the screen in 1949), The Curious Savage (1950) and Lo and Behold (1951).

He ...

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