Kristoffer Diaz is a playwright and educator living and working in Brooklyn. His full-length titles include The Elaborate Entrance of Chad Deity (published by Samuel French), Welcome to Arroyo’s, Guernica, Fucking Vigwan (or Swag), and #therevolution. Awards include 2011 New York Times Outstanding Playwright Award; finalist for the 2010 Pulitzer Prize for Drama; winner, 2011 Lucille Lortel Award for Outstanding Play; winner, 2011 OBIE Award, Best New American Play; and the inaugural Gail Merrifield Papp Fellowship from The Public Theater (2011). His work has been produced, commissioned, and developed at The Public Theater, Dallas Theater Center, Geffen Playhouse, Center Theatre Group, The Goodman, Second Stage, Victory Gardens, Oregon Shakespeare Festival, Actors Theatre of Louisville, American Theater Company, The Atlantic, InterAct, Mixed Blood, The Orchard Project, Hip-Hop Theater Festival, The Lark, Summer Play Festival, Donmar Warehouse, and South Coast Repertory. He has written short work for the 24 Hour Musicals and the 24 Hour Plays on Broadway. Kristoffer was one of the creators of Brink!, the apprentice anthology show at the 2009 Humana Festival of New American Plays. He is a playwright-in-residence at Teatro Vista; a resident playwright at New Dramatists; a co-founder of the Unit Collective (Minneapolis); and a recipient of the Jerome Fellowship, the Future Aesthetics Artist Regrant, and the Van Lier Fellowship (New Dramatists). Kristoffer holds a BA from New York University’s Gallatin School of Individualized Study, an MFA from NYU’s Department of Dramatic Writing, and an MFA from Brooklyn College’s Performing Arts Management program.