A CONCORD THEATRICALS TITLE

One Night a Week

Full-Length Musical, Comedy  /  9w, 1m

Book by Richard Harris
Lyrics by Mary Stewart-David
Music by Denis King

Based on the play Stepping Out by Richard Harris

Following the success of his play Stepping Out, Richard Harris has combined the talents of lyricist Mary Stewart-David and composer Denis King to create a heartwarming, toe-tapping musical chronicling several months in the life of a beginners tap dancing class set in the gym of an old YMCA.

  • Cast Size
    Cast Size
    9w, 1m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • Audience
    Target Audience
    Adult

Details

Summary
Following the success of his play Stepping Out, Richard Harris has combined the talents of lyricist Mary Stewart-David and composer Denis King to create a heart-warming, toe-tapping musical chronicling several months in the life of a beginners tap dancing class set in the gym of an old YMCA community center in Suburbia, USA. Led by Tina, the ex-professional dancer who runs the class, accompanied by the acerbic pianist Mrs. Fraser, we follow the lives, loves and laughs of a group of women (and one man), each of whom comes from a different background and has his or her own reason for joining. The students, who range from hopeless to competent, strive to master the basics of tap, but the steps and routines are just the background for the real focus of the play: the relationships and interactions of these ten very different people. By their final performance, not only have the class members developed some degree of skill, but they have also overcome the inhibitions, awkwardness and personality conflicts that have kept them out of sync.
History
One Night a Week was first performed at the Theatre Royal, Plymouth under the title Stepping Out - The Musical. In October 1987, the show was presented by Bill Kenwright, in association with The Churchill Theatre, Bromley and Tyne Theatre and Opera House, Newcastle, at the Albery Theatre (now the Noel Coward) in London, under the direction of Julia McKenzie.
TINA – an ex-pro dancer, attractive, in her late 30s. She wears a T-shirt, tights, leg warmers, old scuffed tap shoes and a man’s sweater tied around her shoulders. 
MRS. FRASER – in her late 50s, a square-shaped no-nonsense Midwesterner who prides herself on her pessimism. She wears a wool coat, knit hat and clumpy shoes, and can usually be seen gnawing on some kind of fresh fruit.
SHELLEY – in her early 30s, short, blonde, and bubbly. Her bright and outrageous clothing accentuates her ample curves. She wears grubby old white sneakers and chews gum most of the time.
MAXINE – a good-looking 40-something. She has dyed hair and good make-up. She wears a tight red leotard over a black turtleneck, long red legwarmers and old, soft tap shoes. There are big rocks on her fingers.
DOROTHY – small, anxious and bird-like, could be anywhere from 30 to 50. She wears black shiny tap shoes and a black leotard, and has an ace support bandage around one knee. There is a hint of white cotton underpants showing under the leotard.
LYNNE – 19. She is eager to please, has a lovely face and is of large proportions. She never wears make-up and her skin glows healthily. She wears tights, a cardigan which matches her legwarmers, and scuffed tap shoes.
ROSE – a large Black woman of Caribbean extraction, in her 40s, wearing an obvious wig, a bright pink dress over black tights and white tap shoes with mismatched shoelaces. She has large strings of beads around her neck and lots of rings on her fingers.
ANDY – tall, thin and in her mid-30s. She wears a long cardigan over a plain dress, and new tap shoes. She is inclined to stoop as if ashamed of her height. 
VIVIENNE – in her mid-30s, neat and proper and perfectly groomed. She wears an expensive belted trench coat and high heels, and carries a good leather bag. Her dyed red hair and make-up are immaculate. For all her primness, she dresses in a way that suggests the high-class tart.
GEOFFREY – tall, in his mid-40s. He is the kind of man who doesn’t like being noticed, and most of the time isn’t. He wears cheap tap shoes.
  • Setting The gym in an old YMCA community center in Suburbia, USA.
  • Duration More than 120 minutes (2 hours)
  • Cautions
    • No Special Cautions

Music

Song Samples

Love To
What Do Men Think?
Too Much
Never Feel the Same Again
Loving Him
Stepping Out

Act I

Overture
“One Night A Week” – Tina & Company
“One Night A Week” (Reprise) – On Stage Piano
“Right” – Andy & Geoffrey
“Don’t Ask Me” – Rose & Company
“Love To” – Lynne & Dorothy
“What Do Men Think?” – Shelley, Rose, Maxine, Dorothy
“Too Much” – Tina
“Never Feel The Same Again” – Andy & Geoffrey
“Definitely You” – Vivienne & Company
“One Night A Week” (Reprise) – Tina & Company

Act II

Entr’acte
“Doctor Footlights” – Maxine, Shelley, Vivienne, Lynne, Dorothy
“Right” (Reprise) – Geoffrey
“Just The Same” – Maxine
“What I Want” – Shelley, Rose, Maxine, Dorothy, Tina
“Once More” – Tina & Lynne
“Too Much” (Reprise) – Tina
“Loving Him” – Vivienne, Andy, Tina
“Stepping Out” – Company

Woodwind 1 (Clarinet, Soprano Sax, Flute)
Woodwind 2 (Tenor Sax, Alto Sax, Clarinet, flute)
Trumpet (dbl. Flugelhorn)
Guitar
Percussion (Drum Set, Floor Toms, Triangle, Sm. Shaker, Glockenspiel, Finger Cymbals, Congas, Cowbell)
Keyboard 1
Keyboard 2




  • Musical Style Classic Broadway
  • Vocal DemandsModerate
  • Orchestra Size Medium

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

Concord offers a full suite of resources to help you put on the show of a lifetime!
11 Piano-Vocal
1 Woodwind 1
1 Woodwind 2
1 Trumpet
1 Guitar
1 Percussion
1 Keyboard 1
1 Keyboard 2
1 Backing/Accompaniment Tracks
11 Piano-Vocal
1 Backing/Accompaniment Tracks

Add-Ons

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Authors

Author

Denis King

Author

Richard Harris

Author

Mary Stewart-David

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