REVIEW
“The most stylish and substantive play based on classical music since Peter Shaffer's Amadeus .” – Ithaca Times
"A funny, fiercely intelligent romp." – Los Angeles Times
“A fleet-footed, quick-witted, brain-teasing farce. It's a joy.” – San Francisco Chronicle
“If you like super-smart silliness, be ready to laugh until your ribs are sore. A who's-on-first farce full of theatrical trickery and fizzy verbal slapstick.” – The Wall Street Journal
“A remarkably silly yet intellectually stirring comedy. Deserves to be a minor classic. Reaches for an ineffable beauty and mystery that is hard to shake.” – Queen Anne News
“Lovely, wise, tender, strong, and the best play I've seen — or can imagine — by a young playwright.” – Chicago Reader
“An intellectual fun-house of a play. With its wordplay, brainy allusions and virtuoso manipulations of artistic form, it has a 'look-Ma-no-hands' swagger. A poignant meditation on the artistic temperament and the transporting power of music.” – Washington Post
“Itamar Moses' brainy comedy doesn't settle for cheap laughs, though it has a lot of them. He's got more — much more — on his mind...a look at pride, the meaning and duties of talent, and deep, discursive ruminations on whether music and people can — or should — evolve without spiritual faith.” – Seattle Weekly
“Moses may be some kind of genius.” – Seattle Post-Intelligencer
“Brilliant. What consistently amazes and delights is not just the wealth but the breadth of the intellectual fencing, which never misses a comedic beat. Moses reveals a remarkable ability to make a complex, intellectual play funny, with the feather-light touch of a modern Moliere.” –Shepherd Express Milwaukee