Ghostland

by  Don Nigro

Short Play, Dark Comedy  /  4m

NOTICE: Please be advised, this title is being made available now in manuscript form prior to its publication.

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  • Cast Size

    Cast Size

    4m
  • Duration

    Duration

    60 minutes (1 hour)
  • Accolades

    Accolades

    Not Applicable
  • Audience

    Target Audience

    • Adult
    • Teen (Age 14 - 18)

Additional Info

In the last years of his life, the aging American writer Ambrose Bierce became an obsessive collector of anecdotes about people who inexplicably vanish. In the year 1903, Bierce himself disappeared, most likely in Mexico, and was never heard from again. In this mysterious and funny long one act, we find Mr Bierce on a mysterious train to an obscure location, where he will encounter Pancho Villa, Mark Twain, William Randolph Hearst, Jack London, H. L. Mencken, and the bones of a critic in a satchel. He also encounters one Dr Hern, who offers to him a terrifying theory about where people go when they vanish inexplicably, and Bierce moves through a journey of increasingly bizarre nightmares towards his ultimate destiny.

Published in Ghostland & Other Plays.

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Considerations

Performing Groups

  • High School/Secondary
  • College Theatre / Student
  • Community Theatre
  • Professional Theatre
  • Shoestring Budget
  • Blackbox / Second Stage /Fringe Groups

Cautions

  • Caution Mild Adult Mild Adult Themes

License details

  • Minimum Fee: $45 per performance

Production

Details

  • Time Period: 1900-1910
  • Duration: 60 minutes (1 hour)
  • Additional Features: No intermission
  • Features / Contains: Period Costumes

Music

  • Musical Style: N/A (Not a musical)

Casting

4m
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Cast Attributes

  • All Male

Resources

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Authors

Don Nigro

Don Nigro is among the most frequently published and widely produced playwrights in the world and has continued to build a deeply interrelated and diverse body of dramatic literature, employing a wide variety of dramatic conventions and styles of presentation. He has written monologues and epics, spare realistic dramas ...

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