The Lost Girl (Nigro)

by  Don Nigro

10 Minute Play, Dark Comedy  /  3f

Mala, a young tourist lost in a strange country with an erroneous map, sees Lara sitting on a bench reading a black book. Mala manages to communicate her situation and ask Lara for directions. Strangely, she understands Lara's foreign language more and more as the play progresses. 

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The Lost Girl (Nigro)

by  Don Nigro

License Estimator

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  • Cast Size

    Cast Size

    3f
  • Duration

    Duration

    10 minutes
  • Accolades

    Accolades

    Not Applicable
  • Audience

    Target Audience

    • Adult
    • Teen (Age 14 - 18)

Additional Info

Mala, a young tourist lost in a strange country with an erroneous map, sees Lara sitting on a bench reading a black book. Mala manages to communicate her situation and ask Lara for directions. Strangely, she understands Lara's foreign language more and more as the play progresses. She senses that there is something mysterious about this place but doesn't comprehend what it is until it's too late. This poetic play is by the author of Specter, Ravenscroft and other plays.

Published in The Great Gromboolian Plain & Other Plays.

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Keywords

Memory

Considerations

Performing Groups

  • High School/Secondary
  • College Theatre / Student
  • Community Theatre
  • Professional Theatre
  • Shoestring Budget
  • Blackbox / Second Stage /Fringe Groups

Cautions

  • No Special Cautions

License details

  • Minimum Fee: $45 per performance

Production

Details

  • Time Period: Present Day
  • Duration: 10 minutes
  • Additional Features: No intermission
  • Features / Contains: Contemporary Costumes / Street Clothes

Music

  • Musical Style: N/A (Not a musical)

Casting

3f
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Cast Attributes

  • All Female

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Authors

Don Nigro

Don Nigro is among the most frequently published and widely produced playwrights in the world and has continued to build a deeply interrelated and diverse body of dramatic literature, employing a wide variety of dramatic conventions and styles of presentation. He has written monologues and epics, spare realistic dramas ...

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