The week after Thanksgiving. A Bed & Breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching.
A simple enough description, but Annie Baker’s fascinating play takes a look at what theatre can be and builds a world all its own. Baker's hyper-realism bleeds into the eerily super-natural in this quiet tale, where actors and audiences alike delve into ideas of self, mortality, and the solitude of human experience.
"Annie Baker’s John is so good on so many levels that it casts a unique and brilliant light." - The New Yorker, Read More
"Ms. Baker...stretches her talents in intriguing if sometimes baffling new directions." The New York Times, Read More
"Baker is trying to extend to characters in extremis the intense realism — not stage realism but real realism — usually denied them in plays." - Vulture, Read More
"When it comes to playwriting, [Baker] is astonishingly clear-eyed. In John, her new play at the Signature Theatre, one character is blind and another wears glasses with a very strong prescription, but they both benefit from Baker’s excellent vision." The Guardian, Read More
"Baker knows exactly what she’s doing — she gives us just enough to open up possibilities. What a thrill!" - New York Post, Read More
"Baker does not merely tell a scary story. She shows them, piling up like ghosts of amputated limbs from the war wounded, and makes them riveting, unpredictable, altogether human theater." - Newsday, Read More
- Mild Adult Themes
- Minimum Fee: $125 per performance
- Time Period: Contemporary, Present Day
- Duration: More than 120 minutes (2 hours)
The first floor of a Bed & Breakfast in Gettysburg, Pennsylvania in the very end of November.
- Features / Contains: Contemporary Costumes / Street Clothes
JENNY CHUNG - 31, no glasses
MERTIS KATHERINE GRAVEN - 72, no glasses
GENEVIEVE MARDUK - 85, blind
- Role(s) for Asian Actor(s)
- Parts for Senior Actors
John premiered at the Signature Theatre in New York City in August of 2015 under the direction of Sam Gold.