A SAMUEL FRENCH, INC. TITLE

The Tomb of King Tot

Full-Length Play, Dark Comedy  /  3w, 2m

"Sweet and spiky new tragicomedy [...] this production makes a case for whimsy as a filter both for shutting out and eventually coming to terms with an unforgiving world and one’s unforgivable self." - The New York Times

The Tomb of King Tot

  • Cast Size
    Cast Size
    3w, 2m
  • Duration
    Duration
    75 Minutes
  • SubGenre
    Subgenre
    Not Applicable
  • Audience
    Target Audience
    Adult

Details

Summary
Jane Haley is the punny voice of the comic strip “King Tot,” a three-panel strip about a nine-year-old pharaoh in Ancient Egypt. Jane has just been nominated for the Chuckling Willow, the single most important award for female cartoonists in New England. All seems to be going well until bleak news strikes the Haley household. As Jane tries to hide her coping by working extensively on her comics, her art suffers as her main character tries to find his way through the Land of the Dead to find his “mummy.” Playwright Olivia Dufault pairs humor with heartache in this exploration of the processing of grief.
History

The Tomb of King Tot premiered as a part of the Clubbed Thumb Summerworks Festival at The Wild Project in New York City in June 2016 under the direction of Portia Krieger.

JANE HALEY - late-thirties cartoonist (f) also plays
MUMMY - mummy (f)
ATLANTA HALEY - teenage girl (f) also plays
KING TOT - Egyptian boy-king (f)
PORTER HALEY - late-thirties step-father (m) also plays
HOREMHEB - Egyptian slave (m)
KISSY CANDIDA - late-thirties cartoonist (f) also plays
ALLIGATOR-WOMAN - alligator-woman (f)
LIONEL FEATHER - early-sixties cartoonist (m) also plays
ANUBIS - jackal-headed king of the dead (m)
  • Time Period Contemporary, Ancient
  • Setting A lower/middle class New England living Room, and a cartoon-like version of ancient Egypt.
  • Features Contemporary Costumes / Street Clothes, Period Costumes
  • Additional Features No intermission
  • Duration 75 Minutes
  • Cautions
    • Alcohol
    • Strong Language
    • Mild Adult Themes

Media

REVIEWS 

"Sweet and spiky new tragicomedy [...] this production makes a case for whimsy as a filter both for shutting out and eventually coming to terms with an unforgiving world and one’s unforgivable self." - The New York Times, Read More 

ON BREAKING CHARACTER

Scene Study and Classroom Reading: Plays for Colleges and Universities
by Becca Schlossberg
August 23, 2019


Licensing & Materials

  • Minimum Fee: $120 per performance

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Authors

Olivia Dufault

Olivia Dufault’s plays include Year of the Rooster (Ensemble Studio Theatre, New York Times Critics' Pick), The Tomb of King Tot (Clubbed Thumb, New York Times Critics' Pick), The Messenger, and For Want of a Horse. Her plays have been performed at the Ensemble Studio Theatre ...
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