Chicago (High School Edition)

Chicago (High School Edition)

by  Fred Ebb, Bob Fosse, John Kander, Maurine Dallas Watkins

Full Length Musical, Comedy  /  9m, 10f

Learn how you can win a royalty-free license for Chicago: High School Edition.

Adapted in collaboration with iTheatrics, Kander & Ebb's legendary and award-winning musical about fame, fortune and acquittal is now widely available to be performed by High Schools across the world. Adapted to be content-appropriate and flexible, Chicago: High School Edition has been adapted to remove overtly sexual references, adult language and can be performed by larger and smaller casts. Delivered as a 101 School Editions Show Pack, Chicago: High School Edition suits all experience levels, features handy tips and tricks for directing and a Theatre 101 guide for Students. To learn more about 101 School Editions, click here

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Chicago (High School Edition)
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  • Cast Size

    Cast Size

    9m, 10f
  • Duration

    Duration

    90 minutes
  • Accolades

    Accolades

    Tony, From Broadway
  • Audience

    Target Audience

    • Adult
    • Senior
    • Pre-Teen (Age 11 - 13)
    • Teen (Age 14 - 18)

Additional Info

In roaring twenties Chicago, chorine Roxie Hart murders a faithless lover and convinces her hapless husband, Amos, to take the rap...until he finds out he's been duped and turns on Roxie. Convicted and sent to death row, Roxie and another "Merry Murderess," Velma Kelly, vie for the spotlight and the headlines, ultimately joining forces in search of the "American Dream": fame, fortune, and acquittal.

Changes made to the High School Edition

(1) Removal of adult language and overly sexual references.
(2) Removal of "Class" and "A Bit of Good"
(3) Transposed keys to better accomodate teen voices

Please purchase a digital rental perusal to determine if CHICAGO: HIGH SCHOOL EDITION is a good fit for your students. 

Note on Digital Perusal: Samuel French's new digital perusal process grants easy, digital access to music perusals while protecting the intellectual property of our composers, book writers, and lyricists. Samuel French perusals are intended to be used for finding the perfect show to fit your theater, casting pool, and resources. Perusals should be used to get acquainted with the music and script. They cannot be used to hold auditions, produce the show without a license, or find sheet music for a separate performance

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Reviews

"A pulse racing revival that flies us right into musical heaven." - The New York Times

"Wildly entertaining...[with a] dazzling score." - New York Daily News
"As dazzling a demonstration of the craft of musical theatre as you're ever going to see on a Broadway stage." - The New York Post

Considerations

Performing Groups

  • High School/Secondary
  • Youth/Camp Programs

License details

  • Licensing fees and rental materials quoted upon application.

Production

Details

  • Time Period: 1920s
  • Duration: 90 minutes
  • Additional Features: Not Applicable

Music

  • Musical Style: Classic Broadway, Jazz
  • Vocal Demands: Easy
  • Orchestra Size: Large
  • Chorus Size: Medium

Casting

9m, 10f

VELMA KELLY: Female, 25-40 (Range: Alto, E3-D5)
Vaudville performer who is accused of murdering her sister and husband. Hardened by fame, she cares for no one but herself and her attempt to get away with murder.

ROXIE HART: Female, 20-30 (Range: Mezzo-Soprano, F3-B4)
Reads and keeps up with murder trials in Chicago, and follows suit by murdering her lover, Fred Casely. She stops at nothing to render a media storm with one goal: to get away with it.

FRED CASELY: Male, 30-50 (Range: Ensemble/Part Flexible)
Roxie’s short lived lover. Murdered for trying to leave Roxie.

SERGEANT FOGARTY: Male, 35-55 (Range: Ensemble/Part Flexible)
Assigned to Roxie’s case. After asking the right questions, he manages to get Roxie to confess.

AMOS HART: Male, 30-50 (Range: Baritone, C3-F#4)
Roxie’s faithful husband. Lies for her and tries to take the blame until he realizes that he has been two-timed by Roxie. Still in love with her, or misguided, he believes anything she says in her pursuit to get out of jail.

LIZ: Female, 18-45 (Range: Ensemble, A3-C#5)
Prisoner at Cook County Jail. She is imprisoned after shooting two warning shots into her husband’s head.

ANNIE: Female, 18-45 (Range: Ensemble, A3-C#5)
Prisoner at the Cook County Jail. Murder’s her lover after finding out he already has six wives. “One of those Mormons, ya’ know.”

JUNE: Female, 18-45 (Range: Ensemble, A3-C#5)
Prisoner at Cook County Jail. After her husband accuses her of screwing the milk man, he mysteriously runs into her knife ten times.

HUNYAK: Female, 25-45 (Range: Non-Singing Role)
Hungarian Prisoner at Cook County Jail. The only English she speaks is the phase, “Not Guilty.” Which follows her to her grave.

MONA: Female, 18-45 (Range: Ensemble, A3-C#5)
Prisoner at Cook County Jail. Murders her lover after he has a round of affairs with other woman, and an occasional man. I guess you could say it was “artistic differences.”

MARTIN HARRISON: Male, 35-55 (Range: Ensemble/Part Flexible)
Ensemble member who doubles as the Master of Ceremonies at times.

MATRON "MAMA" MORTON: Female, 30-50 (Range: Alto, F#3-Bb4)
Leader of the prisoners of Cook County Jail. The total essence of corruption. Accepts bribes for favors from laundry service to making calls to lawyers. “When you’re good to Moma, Moma’s good to you.”

BILLY FLYNN: Male, 35-50 (Range: Baritone Bb2-G4)
Established lawyer who hasn’t lost a woman’s case yet. Master of media manipulation who will get a girl off the hook as long as she can fork up the hefty $5,000 fee.

MARY SUNSHINE: Female, 25-55 (Range: Soprano, Bb3-Bb5)
Sob sister reporter from the Evening Star. Believes there is a little bit of good in everyone and will believe anything she is fed that matches her beliefs.

GO-TO-HELL-KITTY: Female, 21-40 (Range: Ensemble, A3-C#5)
Steals the spotlight when she Murders her husband along with three other woman. Her crimes are labeled “Lake Shore Drive Massacre.”

HARRY: (Range: Ensemble/Part Flexible)
Murdered by Go-To-Hell Kitty for sleeping around with three women behind her back.

AARON: (Range: Ensemble/Part Flexible)
Court appointed lawyer for Hunyak. He tries to get her to confess to speed along the trial.

JUDGE: Male, 40-65 (Range: Ensemble/Part Flexible)
Judge overseeing Roxie’s Trial.

COURT CLERK: (Range: Ensemble/Part Flexible)
Swears people in with their hand on the bible. “Blah, Blah, Truth, Truth. Selp-you God.”

CHORUS (SATB) 


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Cast Attributes

  • Expandable casting
  • Features Teens
  • Flexible casting
  • Multicultural casting
  • Room for Extras
  • Strong Role for Leading Man (Star Vehicle)
  • Strong Role for Leading Woman (Star Vehicle)

Resources

Rehearsal Resources

Music Material Rental Packages Glyphs / UI / Tooltip

Full Package

1 Production Guide
2 Piano/Conductor
30 Student Librettos
Digital Resource pack
Orchestral parts:

Reed I (Piccolo, Clarinet, Soprano & Alto Saxophones)
Reed II (Piccolo, Clarinet, Soprano & Tenor Saxophones)
Reed III (Clarinet, Bass Clarinet, Soprano, Tenor & Baritone Saxophones)
Trumpets I & II (2 Books)
Trombone I
Trombone II
Tuba/Bass
Percussion (Snare Drum, 3 Toms [High, Med., Low-Floor], Bass Drum, Crash Cymbal, Ride Cymbal, Splash Cymbal, Hi Hats, Xylophone [2 notes: F & G], Orchestra Bells or Glockenspiel, NBC Chimes [quasi Vibraphone], Temple Blocks, Cow Bell, Triangle, Tambourine, Castanet Machine, Wood Block, Ratchet, Pop Gun, Siren Whistle [Acme], Slide Whistle, Bike Horn, Clank [Metallic])
Banjo
Keyboard I (Piano, Harmonium)
Keyboard II (Piano, Accordion)
Violin

SF Perform is included with your license. Please contact your licensing representative for any questions regarding SF Perform.

Please note: The Guide Vocal Tracks and Choreography Video referenced in your Production Guide will not be available for 2018 productions.

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Authors

Fred Ebb

Fred Ebb (1928 – 2004) won Tony, Emmy, Grammy, and Kennedy Center Honors Lifetime Achievement Awards for his work as a writer, director, and composer. His collaborations with John Kander, Bob Fosse, Judy Garland, Barbra Streisand, and Liza Minnelli made him a legend in the New York theatre community. Mr. Kander and Mr. ...

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Bob Fosse

Robert Louis Fosse was born in Chicago, Illinois on June 23, 1927. Fosse took an early interest in dance, displaying unusual skill. His parents supported his interest, enrolling him in formal dance training. By his early teens, Fosse was dancing professionally in local nightclubs. It was here that he was first exposed ...

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John Kander

John Harold Kander was born on March 18, 1927 in Kansas City, Missouri to Harold and Berenice (Aaron) Kander. He was exposed to music at an early age. Kander believed that a bout of tuberculosis as a baby, which had kept him isolated from other people, had actually helped him develop his sense of sound. At age six he b ...

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Maurine Dallas Watkins

Maurine Dallas Watkins

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