A CONCORD THEATRICALS TITLE

Shine!: The Horatio Alger Musical

Full-Length Musical, Dramatic Comedy  /  6w, 13m

Roger Anderson, Lee Goldsmith, Richard Seff

Book by Richard Seff
Music by Roger Anderson
Lyrics by Lee Goldsmith

Winner! 2010 New York Musical Theatre Festival Award for Excellence
Winner! National Music Theatre Network Award

"A charming, feel-good musical. The work's tremendous heart and unabashed celebration of Alger's popular stories are in ample evidence in this appealing musical about the rise from rags to riches." - Meredith Lee, Theatermania

Shine!: The Horatio Alger Musical

  • Cast Size
    Cast Size
    6w, 13m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • SubGenre
    Subgenre
    Adaptations (Literature), Fables/Folktales, Period
  • Audience
    Target Audience
    Appropriate for all audiences
Accolades
Accolades
  • Winner! 2010 New York Musical Theatre Festival Award for Excellence
    Winner! National Music Theatre Network Award!

Details

Summary
Lower Manhattan, 1876. Join Dick as he rises from penniless bootblack to budding entrepreneur with a little bit of luck, a little bit of charm, and a whole lot of hard work. Based on Horatio Alger’s beloved tale, Dick’s adventures bring him face to face with scheming ex-convicts, vicious comic villains, kind benefactors, and a host of colorful characters in this rags-to-riches romp for the whole family.
History
Shine!: The Horatio Alger Musical was first presented in association with Other Side Productions at Theatre at St. Clement's as part of the 2010 New York Musical Theatre Festival in New York City.

3 BUSINESSMEN - ensemble roles)
A STREET VENDOR - ensemble role)
OFFICER FOY – a Policeman (ensemble role)
RICHARD HUNTER – “Ragged Dick,” age 16-18. Brash and confident with much charm. Must be exceptional singer-actor.
MICKEY MCGUIRE – Age 15-19. A street kid, tough. Clever, selfish, a wise-guy.
HENRY FOSWELL – Age 15-17. Hunter’s friend and opposite. Bookish and intelligent, but with no street smarts.
GIDEON CHAPIN – 40s. Uptight and mean-spirited clerk in charge at Snobden’s store. Conniving and unpleasant. A comic villain.
ALLEN CARLISLE – early 40s. Handsome, likable. A diamond in the rough; very wealthy now, was once poor.
HERBERT HIGGINS – 20s-30s. Ambitious but weak underling to Chapin. Slightly hysterical at times. Actor should be up to low comedy.
SILAS SNOBDEN – 50s-60s. Proprietor of Snobden, Inc. a haberdashery. Precise and demanding, but fair and not unkind. Could be plump, bald or both. Needs good character singing voice.
LUKE GERRISH – Late 30s, early 40s. Amoral, cynical, cunning and dangerous. Attractive to women and knows it. Baritone.
TWO CRONIES – male acquaintances of Luke Gerrish, ensemble roles
STACIA-JANE HAUSER – Late 20s-early 30s. Attractive, but not necessarily beautiful. Working class background. Intelligent though not well educated. Soprano or chest.
MARY McHUGH – 50s. Irish landlady. Addled, disheveled, ditzy. We like her. Sings in a beery way. Ensemble role.
FINOLA MAY MOONEY – Late 40s or 50s. Hearty, good-natured, shrewd. And very Irish.
ROB CARLISLE – Age 8, Carlisle’s son. Bright and self confident, not a brat.
MRS. O’MALLEY, MRS. CASSIDY, MRS. O’LEARY – Neighborhood women, friends of Mrs. Mooney. Ensemble roles.
MRS. HALLIWELL – Stylish woman of 40, oozes charm, is a bit of a snob. Ensemble role.
MALE ENSEMBLE – Man #1, Man #2, Man #3, Man #4
FEMALE ENSEMBLE – Woman #1, Woman #2, Woman #3, Woman #4

  • Time Period 18th Century, 19th Century
  • Features Period Costumes
  • Additional Features Not Applicable
  • Duration More than 120 minutes (2 hours)
  • Cautions
    • No Special Cautions

Media

"A charming, feel-good musical. The work's tremendous heart and unabashed celebration of Alger's popular stories are in ample evidence in this appealing musical about the rise from rags to riches." - Meredith Lee, Theatermania

"Shine! is one of those wonderful musicals where an audience cares deeply for the hero. Richard Seff's book and Lee Goldsmith's lyrics perfectly capture the Horatio Alger spirit ...Composer Roger Anderson's ballads are strikingly beautiful. As for his up-tempo songs, to call each a toe-tapper would only be 10% accurate ..." - Peter Filichia, The Star-Ledger

"Solidly constructed, tuneful, consistently diverting. It's awfully close to the sort of musical that made the form nationally beloved in the Rodgers and Hammerstein era." - Marc Miller, Backstage

"Highly tuneful...A friendly show of considerable good humor." - Playbill

"There's a lot of love here, and the best qualities of 'Shine!' shine through. Go give it a go; at its best it's refreshing and, dare I say it, even inspiring." - Rob Lester, Nightlife Exchange 

"There was a stampede for 'Shine!' Who knew Horatio Alger fans had grown up in Manhattan? Onward and upward from rags to riches, one nickel at a time. Lots of jolly singing and a happy ending, Horatio Alger style. Well, it's a nice thing to be cheerful these days, isn't it? Or in 1876." - Eugene Paul, Theater Scene

"The 'Shine!' songs glow - exactly and literally the right notes and the right arrangements for Horatio Alger. I am certain that 'Shine!' will be presented all over the U.S. Bravo." - Stefan Kanfer 

"The Golden Age of Musicals is back with Shine!" - Susan Haskins, Theater Talk

Music

Song Samples

Shine
Respectable
Put Your Money In
Maybe Today
Yes!

20 Conductor/Piano 1 scores
Piano 2
Violin
Cello

Shared Percussion-
Piano 1: Wood block, triangle
Piano 2: Glockenspiel, crotales, bell tree, key tree, triangle, wood block, cabasa, suspended cymbal
Violin: Castanets, cabasa, triangle, wood block, tambourine, splash cymbal
Cello: Bell plate, triangle, wood block 
Shared between Violin and Cello: Bell tree, suspended cymbal

  • Musical Style Classic Broadway
  • Vocal DemandsModerate
  • Orchestra Size Medium
  • Chorus Size Medium

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

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20 Piano-Conductor scores
1 Piano 2
1 Violin
1 Cello

20 Piano-Conductor scores

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Authors

Roger Anderson

Roger Dean Anderson came to NYC as a teenager from Louisiana to study voice, composition and theater. As a composer, he has been fortunate enough to collaborate with several legendary talents, including Michael Smuin, Joe Layton, Wally Harper, Tony Walton, Vivian Matalon and ...

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Author

Lee Goldsmith

Richard Seff

Richard Seff has been fortunate to be allowed to spend his entire working life in a field he discovered professionally when he was 19, but to which he'd been exposed as a boy of 6 when he said his first words onstage and later at 11, when he saw his first play on Broadway. Th ...
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