A CONCORD THEATRICALS TITLE

The People vs. Friar Laurence, The Man Who Killed Romeo and Juliet

Full-Length Musical, Comedy  /  3w, 6m

Book, Lyrics, and Music by Ron West and Phil Swann

"Hysterical—West and Swann have shrouded the tale with witty story devices and a bright cloak of catchy songs that add to the ribald humor while moving the story along in the best traditions of musical theatre." — Chicago Sun Times

The People vs. Friar Laurence, The Man Who Killed Romeo and Juliet

  • Cast Size
    Cast Size
    3w, 6m
  • Duration
    Duration
    120 minutes (2 hours)
  • SubGenre
    Subgenre
    Adaptations (Shakespeare)
  • Audience
    Target Audience
    Adult

Details

Summary

The People Vs. Friar Laurence, The Man Who Killed Romeo and Juliet is the Romeo and Juliet story told from the perspective of Friar Laurence. It was created using the following formula: Troubled teenagers + feuding families + political intrigue = musical comedy.  The show, a smash hit for Chicago Shakespeare Theater, is the funniest mash up of Shakespeare, Gilbert & Sullivan, sketch comedy, and American theater you've ever seen.

IMPORTANT: While all audiences will enjoy the play, it includes some strong language some producers may be uncomfortable with, so the authors have provided an appendix to the script wherein the coarser language has been redacted.

History
The People vs. Friar Laurence was first presented by David Castellani at the Tamarind Theater in Los Angeles in January 2004. It was subsequently presented by Chicago Shakespeare Theater in May 2004. The cast included Nicole Parker (Mad-TV, Wicked), Keegan-Michael Key (Key and Peele), and Brian Gallivan (Sassy Gay Friend).
FRIAR LAURENCE (tenor-baritone)- claims he tried to keep the peace between the Capulets and Montagues, but all his good intentions are met with ruin. His defense is little match for the Prince's prosecution, and he spends the play desperately trying to exonerate himself. The same actor plays Juliet's Nurse, who a. complains a lot and b. thinks she is a lot more desirable than she is.
PRINCE ESCALUS (tenor-baritone) - is good cop and bad cop rolled into one, making it very difficult to win any argument with him. He is intent on remaining in power and is using the Friar's plight as leverage. He has a smiling face and an evil heart. He also plays Paris, who's main attribute is he is a lousy match for Juliet.
ROMEO (tenor) - is lovesick for Rosaline and is subject to fits of crying. He and the Friar are great friends. He and Mercutio are acquaintances, though Mercuito thinks otherwise. With good intentions, he makes some bad choices, ultimately leading to his ruin.
MERCUTIO (tenor-baritone) - is, as Shakespeare said, in love with the sound of his own voice. His lines come from Romeo and Juliet, so the other characters can't understand him. He thinks he's great, but he's kind of lonely, since the other characters try to get away from him. This casting track requires a chamaeleon, as the same actor plays An Officer of the Law, Lord Montague, and the rock and roll Apothecary.
GREGORY (tenor-baritone) - is an illiterate Capulet servant who, while dumb as a post, displays occasional flashes of brillance. The same actor plays Tybalt, who is basically a bully and troublemaker.
LORD CAPULET (bass) - is anxious to marry off Juliet. Drunk, loud, and angry, but kind of a ladies' man.
JULIET (soprano) - is headstrong, smart, and not without a flair for the dramatic. She wants to use Romeo to help annoy her father, but somewhere along the line genuinely falls for him. Also plays her own brother, Sampson, and other small roles.
LADY CAPULET (soprano) - When the role was written, the term MILF didn't exist, but that's what she is. She is trapped in a marriage of convenience that seems like love to her.
BENVOLIO (alto) - Romeo's best friend

It takes 6 men and 3 women to do the play. There is a little leeway in the doubling, but one actor must play the Prince and Paris, one actor must play the Friar and the Nurse, and one actress must play Benvolio and the Executioner. The production would welcome a small chorus to augment the bigger group numbers.

  • Time Period Contemporary, 16th Century / Elizabethan
  • Features Contemporary Costumes / Street Clothes
  • Additional Features Audience Participation/Interactive, Physical Comedy, Play w/ Music, Stage Combat
  • Duration 120 minutes (2 hours)
  • Cautions
    • Strong Language
    • Mild Adult Themes

Media

"A fast-moving freight train of an entertainment that carries a full load of laughs.” - LA Times

"Hysterical... West and Swann have shrouded the tale with witty story devices and a bright cloak of catchy songs that add to the ribald humor while moving the story along in the best traditions of musical theatre. — Chicago Sun Times

"Whip-smart, intensely amusing … a blast!" – Chicago Tribune

"The funniest new show of the season… a musical score as clever as you'll hear this side of Stephen Sondheim.” – Copley News Service

“Creators Ron West and Phil Swann vigorously attack the elements of Shakespeare's story, loosing the Bard's words and adding a blizzard of laugh-inducing moments that ramp up the original story line. This is a land of witty songs, wacky characterizations and silly modern references that fit together like warped pieces of a very old puzzle.” – Chicago Sun-Times

The People vs. Friar Laurence does to Romeo and Juliet what Mel Brooks did to Robin Hood and westerns, though it may be even wittier.” – Lansing City Pulse

“Ron West and Phil Swann’s droll redux is a splash of Law and Order stirred into a musical-comedy concoction that’s equal parts vaudeville and Bard.” – LA Weekly

Videos

  • People vs. Friar Laurence: The Man Who Killed Romeo and Juliet youtube thumbnail

    People vs. Friar Laurence: The Man Who Killed Romeo and Juliet

Music

Song Samples

It's a Beautiful Day in Verona
Trouble
See Other People
True Love To Me
It's a Pity You're Not Me
Hello, Drink Up
Why Wherefore Art Thou?
What a Pity I'm Dead
Friar Laurence's Fault
Take My Ring
You Understand
The Ones Who Started it All
It's a Beautiful Day for A Wedding
O Woe
The Score / Friar's Prayer
Thank You for Dying First
Finale
  • Musical Style Classic Broadway, Pop/Rock
  • Vocal DemandsModerate
  • Orchestra Size Piano Only
  • Chorus Size Small

Licensing & Materials

  • Licensing fees and rental materials quoted upon application.

Music Rentals

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Authors

Ron West

Ron West co-wrote the book, music, and lyrics for The People vs. Friar Laurence: The Man Who Killed Romeo and Juliet and has written and directed many shows for The Second City, including the Jeff award-winning Curious George Goes to War. With Phil Swann, he has also written ...
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Phil Swann

Phil Swann's career in the entertainment industry has spanned more than 30-years as a composer, author, playwright, performer, and producer. A short list of his work includes the hit Off-Broadway musical, Play It Cool, Outer Critics Circle nominee for best new musical; The Pe ...
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