Eric Bentley, Bertolt Brecht, Martin Esslin
Brecht's first play; it is brutal, coarse, and tender, picturing an "amoral" life ruthless in its consistency. Esslin has called it "a passionate acceptance of the world in all its sordid grandeur. What is presented here in the language of decomposition is the life-process itself, the grewat orgiastic metamorphosis of nature."
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