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Facing Our Truth: Ten Minute Plays on Trayvon, Race and Privilege - Collection / Anthology, Drama

Facing Our Truth: Ten Minute Plays on Trayvon, Race and Privilege

A. Rey Pamatmat, Dan O'Brien, Dominique Morisseau, Mona Mansour, Winter Miller, Marcus Gardley, Tala Manassah, Quetzal Flores

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Collection / Anthology, Drama

ISBN: 9780573704260

In light of the George Zimmerman verdict, The New Black Fest commissioned six very diverse playwrights to write 10-minute plays on the topic of Trayvon Martin, race and/or privilege. Facing Our Truth's purpose is to incite serious discussion in our collective communities around these urgent issues. 
$9.95
: Acting Edition
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ePlay

Minimum Fee: $45 / performance of single play, $75 / performance of full collection

License Requests for single titles should be submitted on individual title pages.


Description

Collection / Anthology

Drama

10 minutes

Time Period - Contemporary, Present Day, New Millennium/21st Century

FEATURES / CONTAINS

No intermission

Bare Stage/Simple Set

Contemporary Costumes / Street Clothes

CAUTIONS

Intense Adult Themes

TARGET AUDIENCE

Adult, Teen (Age 14 - 18)

PERFORMANCE GROUP

High School/Secondary, College Theatre / Student, Community Theatre, Professional Theatre, Reader's Theatre, Large Stage, Blackbox / Second Stage /Fringe Groups

RECOGNITION / AWARDS

From Off-Broadway

In light of the George Zimmerman verdict, The New Black Fest commissioned six very diverse playwrights to write 10-minute plays on the topic of Trayvon Martin, race and/or privilege. Facing Our Truth's purpose is to incite serious discussion in our collective communities around these urgent issues.


The collection, Facing Our Truth: Ten Minute Plays on Trayvon, Race and Privilegeis comprised of the following plays:

THE BALLAD OF GEORGE ZIMMERMAN text by Dan O’Brien music by Quetzal Flores
A folk opera recreating the ten minutes leading to the murder of Trayvon Martin, The Ballad of George Zimmerman explores the mind of his killer. 

COLORED by Winter Miller
Interactions between passengers on a subway ride escalate dangerously.

DRESSING
by Mona Mansour & Tala Manassah
In Dressing, a short play in three parts, a mother teases her son over his attire just as he gets ready to leave for school. He pushes back playfully; they play this game all the time. Parts two and three follow this mother as she experiences an unimaginable loss, shedding light on the nature of the vulnerability of the physical self.

NIGHT VISION by Dominique Morisseau
Ayanna and Ezra witness a woman getting beaten on the street by a man in a hooded sweatshirt. After they diffuse the situation they return to their apartment to call the police. However, when they discover how their accounts of the attacker differ, both are left questioning the truth of what they saw. 

NO MORE MONSTERS HERE by Marcus Gardley 
No More Monsters Here is a satire about a young white female who visits a psychiatrist and gets diagnosed with "Negro-phobia": a fear of African American people. The psychiatrist tells her that the cure is for her to spend three days literally living in the body of a young African American male who lives in the hood. The end result is a revelation that will make you laugh, shock you and perhaps break your heart! 

SOME OTHER KID by A. Rey Pamatmat
Three young people weigh both the potentially liberating privileges and the potentially deadly consequences of being just some other kid.


REVIEWS AND ARTICLES

"Like no other form, theatre definitely promotes dialogue ... It puts us all in a room together, so we’re not just showing the work—we’re also opening communication around the issues that the work stirred up." - Dominique Morisseau, quoted in Theatre Communications Group, Read More

"The playwrights [of Facing Our Truth...] are Latino, white, Middle Eastern, Asian-American and black ... [The theatre event] was inspired by the debates and nationwide protests that greeted George Zimmerman’s July 13 acquittal in the killing of Mr. Martin, an unarmed black teenager." - Keith Josef Adkins, quoted in The New York Times, Read More

"We're excited to bring our community together to witness how a select group of artists will approach this tragic event and its aftermath ... These are events which, if not considered and explored thoughtfully, could fracture communities." - Michael Ritchie, Artistic Director, Center Theatre Group, Read More 

"Adkins, co-founder and artistic director of The New Black Fest, a New York City–based theatre festival, was so upset by the [verdict acquitting George Zimmerman] ... Days later, still struggling to sort out his feelings of rage, disappointment and confusion, Adkins decided to look for solace and answers where he’d always found them: in the theatre." - Theatre Communications Group, Read More


Facing Our Truth: Ten Minute Plays On Trayvon, Race And Privilege was originally commissioned and produced by The New Black Fest, Keith Josef Adkins, Artistic Director. The original reading took place at the Martin Segal Theater at CUNY Graduate Center, NYC December 5, 2013.

Facing Our Truth is not associated with the Trayvon Martin Foundation.
Characters

CASTING ATTRIBUTES

Ensemble cast, Non-Traditional casting, Reduced casting (Doubling Possible), Expandable casting, Flexible casting, Multicultural casting

Videos
  • National Black Theatre Presents Facing Our Truth

  • Trayvon Martin Theatrical Play: A look at 'Facing Our Truth.'

  • Facing Our Truth: Short Plays on Trayvon, Race, and Privilege

Author(s)
A. Rey  Pamatmat

A. Rey Pamatmat

A. Rey Pamatmat’s play after all the terrible things I do premiered at the Milwaukee Repertory Theatre and runs at next at The Huntington Theatre in 2014 – ’15. His play A Power Play; Or, What’s-its-name was presented at the 2014 O’Neill Playwrights Conference, his second residency there after Thunder Above, Deeps Below in 2008. Rey’s play Edith Can Shoot Things and Hit Them premiered at the ... view full profile

Dan O'Brien

Dan O'Brien

Dan O’Brien is a playwright, poet, and librettist. His play The Body of an American received the inaugural Edward M. Kennedy Prize, the Horton Foote Prize for Outstanding New American Play, the PEN Center USA Award for Drama, the L. Arnold Weissberger Award, and was shortlisted for an Evening Standard Drama Award in the UK. The Body of an American premiered at Portland Center Stage, directed by ... view full profile

Dominique Morisseau

Dominique Morisseau

Dominique Morisseau, writer and actress, is an alumnus of the Public Theater Emerging Writer’s Group, the Women’s Project Playwrights Lab, and Lark Playwrights’ Workshop. Among her playwriting credits are: Detroit ’67 (Public Theater; Classical Theatre of Harlem/NBT; Northlight Theatre), Sunset  Baby (Labyrinth Theater Co – NYC; Gate Theater- London), and Follow Me To Nellie’s (O’Neill; ... view full profile

Mona Mansour

Mona Mansour

Mona Mansour’s play The Way West had its world premiere in spring of 2014 at Steppenwolf, directed by Amy Morton. The play received the 2013 Sky Cooper New American Play Prize from Marin Theatre Company, where it will get its West Coast premiere in April 2015. The play received a BareBones workshop at the Lark Play Development Center (directed by Linsay Firman), where Mona was a Fellow in 2012. ... view full profile

Other Mona Mansour titles:

Winter Miller

Winter Miller

Winter Miller is an award-winning playwright and founding member of the Obie-recognized collective 13 Playwrights. She is best known for her drama In Darfur which premiered at The Public Theater, followed by a standing room only performance at their 1800-seat Delacorte Theater in Central Park, a first for a play by a woman. In Darfur won the “Two-Headed Challenge” commission from the Guthrie and ... view full profile

Marcus Gardley

Marcus Gardley

Marcus Gardley is a poet-playwright. He was the 2012 James Baldwin Fellow and the 2011 PEN Laura Pels award winner for Mid-Career Playwright. The New Yorker describes Gardley as “the heir to Garcia Lorca, Pirandello and Tennessee Williams.” His play The House that Will Not Stand was commissioned and produced by Berkeley Rep and had subsequent productions at Yale Rep and the Tricycle Theater in ... view full profile

Other Marcus Gardley titles:

Tala Manassah

Tala Jamal Manassah is deputy executive director of the Morningside Center for Teaching Social Responsibility, the national leader in school-based social and emotional learning programs. Morningside Center works for a society that is just, peaceful, and truly democratic by working in schools, hand in hand with educators, to make schools joyful, productive spaces where young people develop a ... view full profile

Other Tala Manassah titles:

Quetzal Flores

Quetzal Flores

Quetzal Flores is a Grammy® Award winning East LA Chican@ rock group, now celebrating its 20-year anniversary, Quetzal is the collaborative project of Quetzal Flores (guitar), Martha González (lead vocals, percussion), Tylana Enomoto (violin), Juan Pérez (bass), Peter Jacobson (cello), and Alberto Lopez (percussion). The musical ensemble is influenced by an East LA rock soundscape composed of ... view full profile

Other Quetzal Flores titles:

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Reviews
Connor Norton 7/23/2015 9:12 AM
"Facing Out Truth" is a strong play that raises discussion around the important issues of racial inequality and systemic oppression. The style and unique writing style of some of the pieces is unique, from the Ballad of Trayvon Martin, to more the unique written style of these plays give a unique voice and creative method of discussion for these issues. While some of the scenes might be a little long, and for staged readings might not be as successful; to be a coordinated and unique production I think it has great potential to be connected with an impactful discussion for any community.

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